Cello Music by JAMES LASDUN
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You’re visiting a castle. There’s a lake,
A hill, a wood, gardens, a herd of deer,
And then inside, paintings of lakes and hills,
Mounted antlers, the cornucopian year
Carved in four oak festoons--you’re here to slake
A once-yearly thirst for the concentrate
Of irretrievable times. It doesn’t work--
Like drinking to get drunk and staying sober;
The trees don’t make a wood, that rain-pocked murk
Won’t turn into a lake, you can’t translate
These stones into a castle . . . Time to go;
The windows darken as you set off home--
Room after room, the blaze of chandeliers
Sliding away like honey from a comb,
Days out of a life, or any slow
Extinguishing of fire . . . Much later on,
Reaching a village with a puddled street
And wet bronze soldier, slowing down, you see
Framed in a window misted by the heat
Of a single lamp and her own action,
A woman playing the cello, all alone
In a plain room at a plain brass music stand,
But cradling rose-grained curves and scrolls of wood
Like something alive; one splayed-out, powerful hand
Trembling where her blood pulses into the tone
As she plunges and draws back the bow--
She seems incongruous in this dead place,
Its only light her own. You cannot hear
But you can see the music in her face,
Its ecstasies--you see it now
And it’s not a face you see, but a lake
Mottled like jade with lily-pads, dead leaves,
Gold in a silk-tailed swish scrolled through the black--
You climb a hill, and underfoot thick sheaves
Of wet grass furrow silver like the track
A finger leaves in velvet. Browsing deer
Move like a forest carpet come to life--
Split chestnut eyes, bare branches, wet red leaves
Dotted with melting snow, you catch a whiff
Of wild rose, then white battlements appear.
From “A Jump Start” by James Lasdun (W.W. Norton: $7.95, paper; 46 pp.; 0-393-30590-2). Lasdun, who now lives in New York, is a member of the younger generation of British poets, a generation including Craig Raine, Michael Hofmann, James Fenton and Tony Harrison. 1989, James Lasdun. Reprinted by permission of W.W. Norton & Co.
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