Lucha VaVoom
Rita D’Albert is the co-creator of Lucha VaVoom, the seven-year-old fusion of Lucha Libre wrestling, burlesque and performance art that plays four times a year in the Los Angeles area to enthusiastic crowds. Rita is photographed at her downtown loft. (Kirk McKoy / Los Angeles Times)
Gasparin, a ring announcer from
Lux La Croix performs to “Flash Dance” during a Lucha VaVoom show at the Mayan Theatre in Los Angeles. (Kirk McKoy / Los Angeles Times)
Wrestler Dirty Sanchez is led into the ring for his match. (Kirk McKoy / Los Angeles Times)
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El Presidente, left, and Dirty Sanchez grab El Bombero to slam him to the mat. (Kirk McKoy / Los Angeles Times)
El Presidente, top, plays to the crowd before finishing off El Bombero, who finds himself in a vulnerable spot. (Kirk McKoy / Los Angeles Times)
There is more than wrestling to Lucha VaVoom, there’s burlesque, as evidenced by Space Cowgirl dancer Lucky Fur. (Kirk McKoy / Los Angeles Times)
In the night’s featured match, Mini Cassandro jumps on the back of Ultimo Dragoncito. Be careful not to call them midgets, they are “mini” wrestlers. (Kirk McKoy / Los Angeles Times)
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Karis’ dance with a brass hoop closes the Lucha VaVoom show. (Kirk McKoy / Los Angeles Times)
Dr. Maldad and Shamu Jr. were thrown out of the ring during their match with Los Crazy Chickens. (Kirk McKoy / Los Angeles Times)
Los Crazy Chickens go back to back against Dr. Maldad, left, and Shamu Jr. (Kirk McKoy / Los Angeles Times)
The Los Crazy Chickens add to the festival atmosphere. The shows are attracting audiences whose theatrical tastes are as likely to have been shaped by B-movies, comic books and music videos as by “Hello, Dolly!” or the collected works of Arthur Miller. (Kirk McKoy / Los Angeles Times)
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Joel Becerra and Karine Nava cheer on Los Crazy Chickens. (Kirk McKoy / Los Angeles Times)
Rev. Brown is part of the show. He tries to shut down Lucha VaVoom because it contains burlesque acts. (Kirk McKoy / Los Angeles Times)
Karis starts out in Egyptian garb before breaking into a dance with a hoop. (Kirk McKoy / Los Angeles Times)